This unofficial site offers, with his agreement,

a brief overviewn of the Belgian artist's research.

The site is open and under construction

SEroux

OUR LIVES

AS ARCHIPELAGO

version française

fr / HOME / ARTWORKS / PORTRAITS /

A SINGULAR COLLECTIVE / A BOOK /

CONTACT & CRITICS /

1 / A RELATIONAL

AESTHETIC

ESCAPE

Alex Svi

1 question - Arles 2016

Séroux

1 photograph 2016 - Montreal

Séroux New York 2012

8 watercolours on paper 30 / 40 cm

The Somexki Collection

1 photograph found in Paris

Séroux

1 photograph 2017

DIMENSIONS RELATIVES

The relative sizes of the works seen on the screen do not reflect the actual dimensions given in the details on the ‘ARTWORKS’ pages.

1 / WHAT MAKES

THIS ART RESEARCH

SO SPECIAL?

Like the Portuguese writer Fernando Pessoa, who conceived of multiple poetic writings under different heteronyms, Séroux is at once and successively David Realh, Alex Svi, Zorah Somexki and his collections of found photographs for example, plus a few others. Painter, draughtsman, photographer, the name Séroux thus designates a multifaceted and paradoxically collective body of work.

The singularity of the work consists in linking the works of different heteronyms. This exercise is carried out by art historian and curator Paul Qwest, in the form of arrangements that become inseparable.

Question from Victor Segalen:

"Increasing our faculty of perceiving the Diverse,

is it shrinking our personality or enriching it?

Is it stealing something from it or making it

more numerous? No doubt:

it is enriching it abundantly

with the whole universe."

2 / OUR LIVES ?

In ancient Hebrew, the word ‘life’

doesn't exist in the singular.

Would it be possible to know only one, a single life, defined, constant, always the same, coherent and unique? Does something begin the day we realise that our identity too is more complex than determined, made up of multiple juxtaposed aspects? And if something begins on that day, what, for example?

‘Our lives do indeed follow one another in stages, from early childhood to death. They are also simultaneous, and sometimes both serene and worried at the same time, very different depending on the relational contexts in which we find ourselves. They take many forms, depending on the angle from which we see them: physical, spiritual, private, public, family, professional, emotional, sexual, cultural, intimate, avowable, unavowable, dreamt of, experienced, that of our memories or that of our future hopes and expectations...

Not all of them are consistent with each other, far from it, but each one is related to others.

3 / A BOOK

The spirit that runs through this research has been translated into a book entitled ‘Nos vies comme événement’, co-authored by Elisa Brune and Paul Qwest and published in Paris by Odile Jacob in 2019.

The literary form of the book is directly inspired by the plastic form of the work presented here.

4 / PHILOSOPHY

This process of seeing very different forms (painting, found photographs, various typographies, objects, drawings, etc.) enter into dialogue is close to the thinking of the French philosopher Edouard Glissant. Instead of a fixed identity, he prefers the trembling of its components, and instead of continental conceptual monoliths, he favours the diversity of archipelagos:

‘It is in archipelagic regions that lack the density and mass of continental thought that we can best try to see what today's humanities are tending towards.’

To put it another way, pluralism is understood as a diversity of points of view on the move, a richness that is the opposite of single, monomaniacal, totalising thoughts. This is also true when it comes to our private lives. And here we are:

The plastic translations of our intimate polyphonies are at the heart of what is on display here.

more on

A BOOK

FIVE RECENT

artworks

FOR EXAMPLES

AMBITION

The Somexki Collection

1 photograph found in Paris

Séroux

2 paintings

& 1 work on sur paper

Alex Svi

1 question

Arles 2016

Orgasm

Séroux

3 watercolors

The Somexki Collection

1 photograph found in Bruxelles

Alex Svi

1 question

Arles 2016

A.I. /

Does foam have a vision

of the universe

The Somexki Collection

2 photographs

Séroux

1 painting

Alex Svi

1 question

Arles 2016

The Ghabor Collection

3 photographs

ART /

Does art imply the existence

of any kind of disorder

Séroux

1 painting

The Somexki Collection

1 photograph

Alex Svi

1 question

Arles 2016

TRAVEL /

Why does one year

circle around the earth

The Collection Somexki

1 photograph

Séroux

1 watercolor sur papier

Patagonia / Strait of Magellan

4 x 70 / 50 cm

Alex Svi

1 question

Arles 2016

Seroux

1 photograph

Palermo

One of the

particular projects /

INFORMED PUBLICS

The MANET, RODIN and ROPS tribute sections are not ‘open to all’ like this artist more generally. They contain works of a sexual nature which are likely to shock some people and interest others. If this spirit bothers you, or if your education, your ethics or your sensibilities forbid you, don't go and consult them. This is free formal and philosophical research.

This ? NO !

HOMAGE TO FELICIEN ROPS

OR THE ART OF SAYING IT LIKE IT IS

"Rops am,

virtuous ne puis,

hypocrite do not deign".

Félicien Rops made this profession of faith throughout his life. Born in Namur, Belgium, on 7 July 1833, he was a friend of Baudelaire, whose collections he illustrated.

His artistic impulses and his lifestyle reflected the independence of spirit and creation that characterised his art. A free thinker and humanist, he remains one of the most creative, sulphurous and provocative men in the history of Western art.

Arthur Rimbaud, his contemporary, was abandoned by his friends after ‘Le bateau ivre’, on the pretext of bad taste. He countered with the concept of the ‘MAUVAIS GENRE’.